Showing posts with label dialogue. Show all posts
Showing posts with label dialogue. Show all posts

Monday, May 24, 2010

Dialogue Help


This is dialogue information I picked up from Rod Morris of Harvest House Publishers.

DIALOGUE QUICK REFERENCE
Things to think about when you are writing dialogue
1) Would the dialog be interesting enough for an eavesdropper to wonder about what is being said?

2) Let dialogue show the emotions.

3) Characters should talk to each other and not the reader.

4) Use "beats"* to show actions, define character, or vary the rhythm of the dialogue.
Ex: “Where are you going?” Jane looked up from the dishes.
“Where are you going?” Jane picked at the cloth napkin in her lap.

5) Resist the urge to explain the dialogue. (RUE) If you've written it well, there is no need to explain it in narrative.
Ex: “How could you do this to me?” The question in her voice tugged at his heart. (we already know by the words that she is distraught)
“How could you do this to me?” The single tear on her cheek tugged at his heart.

* A beat is a bit of action mixed in with the dialogue that you use rather than tags like he said.

DIALOGUE MECHANICS
Speaker attributes:
Put name first. Ex: “Don’t forget the kids,” he said.
Mark said, “Stop the car now.”

Start a new paragraph with new speaker.

Place punctuation inside end quote.

Use a dash when conversation is interrupted.
Ex: “ What do you-“
“Don’t question me now.”

Use ellipses when words trail off.
Ex: “But this doesn’t…”
Or for stammering/stuttering or gaps in dialogue.
Ex: “I th…th… think I c…c…can.”
“ Put the chair…” she pointed to the corner, “ over there.”

How is your dialogue? Did you find this helpful?

Friday, March 28, 2008

Friday Five - Dialogue


We had an editor from Harvest House attend the Central Oregon Writers Guild meeting last night. He gave a talk on dialogue. Though I do most of what he was talking about, I thought I'd put down a few of the things that resonated with me.


1) Would the dialog be interesting enough for an eavesdropper to wonder about what is being said?


2)Let dialogue show the emotions.


3) Characters should talk to each other and not the reader.


4) Use "beats"* to show actions, define character, or vary the rythm of the dialogue.


5) Resist the urge to explain the dialogue. If you've written it well, there is no need to explain it in narrative. RUE


* A beat is a bit of action mixed in with the dialogue that you use rather than tags like he said.


The thing I like best about belonging to a writing group is no matter what the topic the speaker discusses I always either pick up a new little kernal of knowledge or I reinforce what I already know and do.