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As a writer of historic romance I like to make sure I know
all I can about modes of transportation during the era I write about. I've yet
to use a stage coach in a published book but my character had a brief trek in
one in a story that is making the editor rounds.
So here is a bit of info I gleaned from researching stage
coaches.
The first Concord coach was built in 1827 and cost $1200-
1500. It weighed 2000 pounds and had leather strap braces rather than springs
to give a swinging motion rather than a jolting ride.
They had leather boots in the front and back for holding
baggage, mail and valuables. Extra luggage was also stored on top.
A single coach could hold nine passengers inside and up to a
dozen on top. The coach had leather roll down curtains and three leather
upholstered seats with little leg room. The front row who faced backwards had
to dovetail their knees/legs with the passengers in the middle row facing them.
They figured fifteen inches per person to a seat when it carried the nine
passenger capacity. The persons in the
middle had no back support other than a wide leather strap for support or a
leather strap that dangled from the ceiling, which they could grab when the
road was treacherous. The average speed was five to eight miles an hour.
There were different rates for the same trip. If you paid
the highest price you were 1st class which meant you rode all the
way, 2nd class you paid less and had to walk in the bad places, 3rd
class you paid the least but you walked in the bad places and had to push at
the hills.
The rides were either sweltering or freezing. The weather
wasn’t any easier to keep out of the coach than the dust and mud. Women who
were seasoned travelers knew to wear long duck cloth dusters to keep their
clothing clean. Few hotels sat along the routes and travelers sometimes had a
choice of sleeping in corrals or in the street. The way stations along the
routes were often crude structures made of either lumber or adobe. The Stops
were famous for bad food. The usual menu consisted of jerky or salt pork, stale
bread, bad coffee, and always beans.
Besides the close quarters, dusty trails, and rustic stage
stops there was also the threat of Indian attacks and robberies from outlaws.
Raphael
Pumpelly, who rode on the Butterfield Overland Mail stage west to Tucson,
noted:
"The coach was fitted
with three seats, and these were occupied by nine passengers. As the occupants
of the front and middle seats faced each other, it was necessary for these six
people to interlock their knees; and there being room inside for only ten of
the twelve legs, each side of the coach was graced by a foot, now dangling near
the wheel, now trying in vain to find a place of support. An unusually heavy
mail in the boot, by weighing down the rear, kept those of us who were on the
front seat constantly bent forward. The fatigue of uninterrupted traveling by
day and night in a crowded coach, and in the most uncomfortable positions, was
beginning to tell seriously upon all the passengers, and was producing in me a
condition bordering on insanity…"
William
Reed described the experience of motion sickness in a coach.
"The heat could be
unbearable; the bodies of the passengers covered with sand, which permeated
every inch of clothing. The rough roads gave to the coaches a motion not only
from side to side, but a roll from front to back. Seasickness in the hot desert
air, some said was far worse than the same ailment out on the cool Pacific
waters. A seat in the front, in back, and a bench in the middle called for
precise seating… Dust, sweat, insects, and a variety of irritating conditions
made for an interesting, if not particularly pleasant trip across the arid
desert."
Overland stages traveled
continuously though the day and night. Trying to sleep in one of this, confined
with eight other people, I think I'd go mad.
I don't do well on little sleep. LOL
If
passengers, who had tickets to a town farther along the route, chose to stay in
a town or at a home station to seek relief from their journey, they could
become stranded for a week or more before resuming their travels. A ticket did
not guarantee passengers the right to travel on the next stage, when the seat
was occupied by another.
There
were two types of stations hone and swing. The home station allowed passengers
time for a hasty meal. The swing station was a ten minute stop to change the
team of horses.
They also had a code of etiquette for traveling on the stage
in the 1870's.
• When a driver asked a passenger to get out and walk, one was advised to do so, and not grumble about it.
• If the team of horses ran away, it was better to sit in the coach because most passengers who jumped were seriously injured.
• Smoking and spitting on the leeward side of the coach was discouraged.
• Drinking spirits was allowed, but passengers were expected to share.
• Swearing was not allowed, and neither was sleeping on your neighbor's shoulder.
• Travelers shouldn't point out spots where murders had occurred, especially when "delicate" passengers were aboard.
• Greasing one's hair was discouraged because dust would stick to it.
Sources:
2 comments:
Love the accurate descriptions. I think I'll stick to my horse and car.
I agree Stephanie. Riding in a stage coach would not have went over well with me.I don't like tight places with people I don't know.
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